She first began performing on the radio with her two sisters and a cousin, the quartet going by the name of the Deason Sisters. ![]() Wells was born in Nashville to a musical family. "Other female country singers of her day were trying their hands at hard-living, honky-tonk songs, but it was the intense and piercing style of Kitty Wells, with her gospel-touched vocals and tearful restraint that resonated with country audiences of the time and broke the industry barriers for women," it said. "Kitty Wells was a 33-year-old wife and mother when her immortal recording of 'It Wasn't God Who Made Honky Tonk Angels' suddenly made her a star," according to the Hall of Fame's biography. Wells was inducted into the Country Music Hall of Fame in 1976. Safety ‘Even in our worst nightmare.’ Hamas attack collapses Israelis’ worldview. She was the first female singer to reach the top of the country charts with her 1952 song "It Wasn't God Who Made Honky Tonk Angels," an answer to Hank Thompson's "The Wild Side of Life," which made the argument God indeed makes such angels. Wells, born as Ellen Muriel Deason Wright, actually began performing on local radio in Nashville, but her ascent to stage stardom began in 1937 with husband Johnnie, half of the duo Johnnie & Jack. ![]() "She truly is the Queen of Country Music." I wanted to sound just like her, but as far as I am concerned, no one will ever be as great as Kitty Wells. If I had never heard of Kitty Wells, I don't think I would have been a singer myself. "Kitty Wells will always be the greatest female country singer of all times," said Lynn in a statement released on her web site. She was 92.Īmong those mourning her passing was Loretta Lynn, whose own rise to popularity came after Wells, who paved the way for strong female voices in country music. NASHVILLE, July 16 ( Reuters) - Kitty Wells, the "Queen of Country Music" who opened the door to a host of female country music headliners, died on Monday at her home in Nashville. I pushed away that darkness clouding over me – and allowed her ebullience to light our Saturday evening. And thousands of innocent people on both sides face the revenge of war.But then I watched my daughter jump up and run to the front of the theater with other young people. It wasn’t lost on me that 260 concertgoers were killed in this very same way: reveling in music. There was whooping and hollering after a particularly powerfully belted number, as if the audience were watching the performance live in real time.It’s not that the world around me could be forgotten. The movie theater became a concert hall, where popcorn was put aside and the audience members jumped out of their seats, dancing with each song and clapping at the end. I’m only marginally familiar with her music, and the prospect of the glam and glitz of “The Eras Tour” felt off-tone.I also recognized it would do us both good to get out. I won’t speak of the music or the movie (just to say that the world now has one more “Swiftie”). Then my tween asked, “Can we see the Taylor Swift movie?”Honestly, it was the last thing I wanted to do. ![]() Thousands of miles away from it in Toronto, I woke up struggling to wrap my head around the moment – less than two years after the jolting start to the Ukraine war.It can be hard to parent at these times – to strike that balance between awareness and innocence. Saturday morning marked one week since Hamas terrorized a music festival in Israel at the Gaza border, massacring 260 concertgoers and sparking the Israel-Hamas war.
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